Citizen Standing – Short Fiction on Citizen Scores

What would it be like if a society had “citizen scores” in addition to “credit scores?” The government develops a number to evaluate their judgement of your character as a person. This number governs every aspect of your life.

I decided to write a short cyberpunk story about a fictional society that is run by citizen scores and apps. It got published in The Weird and Whatnot Magazine. 

You can read it here!

Writers Be Aware – #PitMad is Today!

What is #PitMad you may ask? 

#PitMad is the original twitter pitch event, where writers tweet a 280-character pitch for their completed, polished, unpublished manuscripts. Agents and editors make requests by liking/favoriting the tweeted pitch.

I’ll include the description from pitchwars

“Every unagented writer is welcome to pitch. All genres/categories are welcomed.

#PitMad occurs quarterly. Upcoming dates are:

  • March 5, 2020 (8AM – 8PM EDT)
  • June 4, 2020 (8AM – 8PM EDT)
  • September 3, 2020 (8AM – 8PM EST)
  • December 3, 2020 (8AM – 8PM EST)

Don’t favorite friends’ tweets. The agents will be requesting by favoriting tweets, and more favorites can make it hard for those with requests to see all of their faves/likes. RT or Quote-RT to show your support. Do NOT use the hashtag when quote RTing – Keep the hashtag clean so agents can navigate it easily.

Be respectful and courteous to each other, and especially to the industry professionals. If you do see abuse, please report it to Twitter or notify one of the hosts of the event.

Thank you for your interest, and happy pitching!”


Some Trans and Non-Binary Perspectives on Representation in Fiction

In writing this article, I went out and asked for the perspectives of a few trans and non-binary people I know on how trans or non-binary people are represented in fiction. I understand that the opinions of a few people don’t represent everyone in a vast group. But I think for me, as a cisgender person who writes fiction and wants to represent people in a respectful way, I think it’s important to ask and consider the opinions of trans and non-binary people I know.

I became interested in looking into this issue after the J.K. Rowling controversy. 

Of course, getting opinions from a few people I know is no match for researching and reading up on the subject matter (as one of my sensitivity readers quite reasonably pointed out), and in terms of writing outside my demographic, nobody is going to give me permission for the entire community.

One of the transgender people I shared this article with made a great point. “One ought not write trans characters to get a pat on the back, one writes trans characters because trans people exist and are people in the same way as nearsighted people and left-handed people.”

In doing this, I got asked a very important question by one of the people I interviewed. They asked me why I was writing this and not a trans person. This is a very good question!

I suppose in writing this, I (as a cis person) was trying to learn about the opinions of non-cis gender and non-binary people and let them explain this issue to me. And in writing this article, I’m simply sharing what they said—their perspectives, not mine. I hope it can be helpful for those wanting to learn more about this issue.

I am going to use anonymous initials and names for everyone I interviewed who requested to be anonymous. I got permission from everyone I interviewed to share their answers. There were only minor edits for clarity, consistency and to preserve anonymity.


John: I’ve been on testosterone for several years, had top surgery and a hysterectomy. I’ve got my name legally changed and all my documents changed.

JBJ: How has that been going for you?

John: Pretty good, actually. I “pass” very well, so most people just assume I’m a normal male.

JBJ: I know that’s been your dream for a long time.

John: Thanks. I didn’t think I was ever going to come back out of the closet, but in my mid 20’s I met some trans people that seemed to be getting by just fine, and I thought, hey, maybe things will be ok if I transition. Also, it seemed like trans rights were gaining traction at the time.

JBJ: Yeah, things are much different now than they were even 10 years ago. I’m just curious, what are your opinions on the whole thing of what J.K. Rowling said about trans people?

John: Well, I don’t agree with her views. Personally, I feel like if she kept her mouth shut, she could just live out the rest of her days resting on her laurels as a beloved children’s fiction writer.

JBJ: How do you feel about the current representation of trans/non-binary people in books and shows?

John: I honestly haven’t seen a lot of trans/non-binary characters in any recent movies or shows, so I’m not sure.

JBJ: Are there things that you would like to see more of?

John: This is just specific to movies/TV, but I think it’d be great if they chose trans actors to play trans roles. Recently, Halle Berry accepted a role to play a trans man, and I think that kind of representation is very damaging because I think it makes trans men look like “girls playing dress-up that want to be boys.” Shortly after announcing it, there was a huge uproar and she stepped down.

JBJ: What are your favorite trans or non-binary characters you’ve seen in a book or show?

John: I liked Krem a lot from Dragon Age: Inquisition. There’s even a conversation you can have with one of the characters (Iron Bull) that’s very trans positive and he just treats him like one of the guys. I also really liked Damien from Dream Daddy (the gay dad dating simulator, lol), because it’s refreshing to see a trans man that’s somewhat effeminate. I’m not the model of masculinity myself, and not all trans guys are hypermasculine lumberjacks.

I guess what I really worry about the most is society viewing trans men as just butch lesbians that want to play dress up.

Like I just want to be seen as male, not as some oddity. I don’t tell any new people I meet that I’m trans and I just want to live a normal life.

Oh, one other thing I liked about Damien from Dream Daddy is being trans wasn’t the sole focus of that character. Some people claim that since it’s briefly mentioned and not explored in-depth, that it was “empty tokenism,” but I disagree. I like that it’s mentioned, but it’s not like the whole character’s personality and storyline revolved around it.

JBJ: Is it okay for cisgender people to write non-cisgender characters?

John: I think it’s alright, but it might be a good idea to have someone non-cis look it over. This is a small example, but Mass Effect: Andromeda had a trans NPC and, during your conversation with them, your character asks what their old name was. Generally speaking, asking a trans/non-binary person’s old name, or “dead name”, as many call it, is a very, very personal question. And honestly, I wouldn’t answer that question if someone I just met asked me. So, there was a bit of an uproar about it because it’s rude to ask and it seems to normalize the question, making it seem ok to ask some trans person you just met something like that. Anyway, they patched it and got rid of that dialog. Little things like that seem pretty innocuous and I know that their intentions weren’t bad, but I think all of that could have been avoided if the scriptwriters just asked a trans person to just look it over or something.

JBJ: Great point!


JBJ: I’m currently writing an article about the representation of trans and non-binary characters in fiction and decided to ask my trans and non-binary friends about their views.

HM: So, you’re asking about my views on that as a broad topic or…?

JBJ: Yeah, whatever you’re comfortable with.

HM: Okay well… trans characters played by trans actors are unfortunately fewer than I’d like.

HM: I think that, while trans women get more exposure than trans men or non-binary people, the rep we get is often very very bad.

JBJ: I’m sorry to hear that. That sounds very frustrating.

HM: You have no idea.

JBJ: What is an example of representation you saw that bothered you…if you don’t mind my asking?

HM: Often, what I see is a character for whom being trans is a major plot point and/or character trait. I mean any example where a trans woman was played by a cis guy or a trans man was played by a cis woman or a non-binary person played by a binary actor.

Honestly? Laverne Cox has had two roles that bothered me which sucks because I like her as an actress

JBJ: Yeah, I’m familiar with her role in Orange is the New Black.

HM: One is Orange is the New Black, where her entire plotline was about her being trans, having no access to hormones, and just generally lacking in agency in that regard. The other is Rocky Horror because I am deeply uncomfortable with any narrative that pegs the trans or gnc [gender non-conforming] character as evil

JBJ: Yeah, that makes sense.

HM: I really prefer more casual rep.

She-Ra sorta did that, but it was very much the sort of “If you’re not in the know you don’t know” kinda rep which im kinda on the fence about.

Jessica Jones had a trans woman in the cast for the second season and nothing was ever made of it. I liked that.

Unfortunately, my next example is goddamn Warrior Nun because there’s a trans character who has a really great moment without ever saying she’s trans outright, though it still suffers from the fact that said moment still relates to that.

JBJ: How did you feel about J.K. Rowling’s comments?

HM: The trans community has known Rowling was a TERF for years now. It’s on y’all for ignoring or dismissing us.

So yeah for that reason her comments don’t surprise me.

Why are YOU writing this? Why not a trans person?

JBJ: That’s a very good question to ask. I’m basically just asking all the trans/non-binary people willing to talk to me, and putting their opinions out there, without showcasing my own.

HM: While it is nice to see trans characters in media, it would be really really really good if they were written by trans writers.

Ahhhhh I forgot to mention something else, and that’s the concept of a character’s transness being used to cause grief or pain or character growth or whatever for a cis character. I hate that shit.

JBJ: That’s a good point. I think they did that in Orange is the New Black too.

HM: Yeah and I think it might be a plot point in like The Crying Game or whatever (which also includes a lack of agency for the trans character when it comes to the “reveal.” There’s an article somewhere about that iirc)

JBJ: Do you watch Supergirl?

HM: Yes

JBJ: Do you like the character Dreamer?

HM: Fuckin love Dreamer

HM: They gave a good reason for her character to be trans without making it her whole character (admittedly I’m not caught up) AND they had the universe support it.

Like, in-universe her powers confirmed her identity

JBJ: Yeah, it was cool the way they did it.

HM: I do also wish we included more trans women who don’t necessarily get read as women (I hate the term “passing” for a variety of reasons) because it sucks that we have to exactly appear a certain way and I’d very much appreciate it if we saw more TWOC [Trans Women of Color] in roles like that.

Actually, I should widen that out. It sucks that trans people in media are often either “binary and appears cis” or “non-binary vaguely androgynous AFAB person.”

And there should be more trans POC in general

JBJ: Yes, they should have more roles.

HM: Not just roles, they need to have important ones like Dreamer or what’s the girl’s name from Sense8?

JBJ: Oh shoot, now I forgot her name. But yes, Sense8 was also an interesting show. Nomi!

HM: Yes, but she falls into one or two of those concerns. She’s white and she reads as a cis woman if you aren’t told she’s trans. Those aren’t BAD things, but they don’t represent our entire community. I rarely if ever get gendered correctly by people I don’t know so when I see these characters it’s like hey that’s neat but also that’s not necessarily my experience.

JBJ: That’s a really good point.

HM: I don’t wear makeup often, I’m not hyper-feminine (which, if you get a chance, I think Julia Serrano’s book Whipping Girl goes into the idea of the double bind for trans women as it pertains to displays of femininity). I like dresses, sure, but I don’t wear them often. Often what movies and TV do is like… they’ll have main characters who only have at most two oppressed identities. Dreamer is both trans and a woman.

Is she ND? disabled? POC? gay? (Okay so sometimes they choose three but I sometimes have mixed feelings about every other trans woman in media being gay because it’s like yo a guy can date us without that “making him gay” but also a LOT of trans women are gay or bi soooooo)


JBJ: Hey there, I was wondering if I could pick your brain on an LGBTQ related issue. If not, it’s all good.

Tova: Hey there, of course!

JBJ: Thank you so much!

I’m a science fiction author who is trying to learn more about the representation of trans/non-binary people in fiction and how to do this representation in a respectful, informed manner. I hope this question isn’t too personal and out of nowhere, but do you identify as non-binary?

Tova: That is so wonderful!! Yes, I do.  I use They/Them/Their pronouns. 

JBJ: Do you see yourself as cisgender or not cisgender?

Tova: Well, being that non-binary is a spectrum of trans, I don’t see myself as cisgender.

JBJ: Gotcha, that makes sense.

Tova: I see myself more in the middle of the gender spectrum 

Sometimes more femme, sometimes more masc, sometimes a mix of both but without a name for it.

It’s interesting being a non-binary hijabi because most days, unless I wear a more “masculine” style of hijab, people will address me as “Ma’am” or refer to me as a “lady.”

JBJ: Ah gotcha, is that ever frustrating?

Tova: Sometimes but I know it’s not their fault, which makes me less frustrated.

We’re conditioned to associate certain looks to certain genders and unless I have a VERY big button with my pronouns, they won’t know. I have a cute They/Them pin but I realized after I got it that it’s hard to see I try to wear my queer pins on my hijab.

The top pin is my They/Them one, it’s too shiny to read sometimes 

But I have the non-binary flag pin, now.

My parents still refer to me as She/Her, but I give them more time to process it.

And my partner knew me before I transitioned, so I give him more time as well.

JBJ: I was curious, what were your thoughts on the whole J.K. Rowling controversy on her comments about trans people?

Tova: I think she’s a disgrace and a hypocrite. Why have queer-themes in your book but then sh*t on a huge part of the LGBTQ+ community!? I am so ashamed of her and will not purchase any more of her items from here on out. I want my money to go to authors and companies that support my people and social justice causes. I love Harry Potter itself but won’t add to my HP collection anymore, lol.

JBJ: Also, how do you feel about the current representation of trans/non-binary people in books and shows?

Tova: I think there’s a move to make more inclusive and diverse characters, which is great! I hope to see more of a push for that, especially in romance novels. I want to see a romance novel with queer/trans, poly, interracial, interfaith characters with complex backgrounds. I have to look VERY hard to find gay/bi romance novels that aren’t in sex shops, jeje. I know the move for these characters are slow right now, but I hope within the next 10 years, especially with our generation and Gen Z, more inclusive and diverse characters will be the protagonists and not just side-characters.

I know that was a mouth full, jeje.

JBJ: No prob, I appreciate the well thought out answer.

Do you ever see something done in fiction about trans/non-binary people in a way that is offensive? Or that you would have done differently?

Tova: I haven’t seen many because there aren’t too many trans or non-binary folks in fiction, but the little I have seen haven’t been really diverse.

JBJ: Anything you’d like to add?

Tova: I want to add a show that has a non-binary theme that I just remembered. 

In Sailor Moon Stars, the new Sailor Guardians (Sailor Starlights) are teenage boys in their human form and girls in their Sailor Guardian form. This was never aired in the US because of the gender blurring (along with the fact that Sailor Neptune and Sailor Mercury are lovers and were always open about it) and it was never dubbed in English until recently. The fact that these characters experience both binaries, yet are not binary, and that they’re both male and female, shows how progressive the creator Naoko Takeuchi was. She was ahead of her time and if this final arc of Sailor Moon was able to be on tv during the early 2000’s in the US, I know many of us “Moonies” would’ve been able to come out earlier and see more representation on screen. Anime is usually known for blurring the gender normative and I love it for that

JBJ: Thanks.

Tova: Of course. 


JBJ: Hey there, I was wondering if I could pick your brain on an LGBTQ related issue. If not, it’s all good.

DG: Certainly!

JBJ: Cool. Thanks.

I’m currently writing something about the representation of trans/non-binary people in fiction…whether books or shows or movies.

I know you were starting to identify with the non-binary label?

DG: Yup! Thought it was trans but this seems like a better fit

JBJ: Cool. Glad you found something that fits.

DG: So inside the nb umbrella I think genderfluid is where I stand specifically

JBJ: Cool.

I was curious, what were your feelings on the comments J.K. Rowling made about the trans community?

DG: Honestly, I had too many other things to give it much thought, so I’ve been reading up on it now…but from what I’m reading, I can at least kinda see where her brain is coming from. Maybe. At least in regards to physiological sex. Gender is a different story, and I definitely see why she’s been eating a lot of shit for it. It kinda looks like she was speaking as though they’re the same and didn’t bother to learn the difference despite the backlash.

JBJ: What is your opinion about the representation of trans/non-binary people in books and shows?

DG: We’re getting more now, and that’s awesome. There’s a new wrestling league (All Elite Wrestling) and their first women’s champion was a trans woman from DC.

There was some backlash against her as you might imagine, she handled it well and the company is very straight up about being super inclusive, both the wrestlers and the fans.

Different shows have been getting more open about that stuff too. Bojack Horseman, Steven Universe in particular. It’s a slow creep into more mainstream media, but it’s there.

I’m sure Riverdale has some, too.

Of course there needs to be more, but these things are becoming a lot more commonplace, at least in Florida being very queer friendly. We went to target yesterday and found pride stuff, that even had different price hearts. IN TARGET! No ace stuff though, sadly.

There were aro, nb, trans, bi, gay, don’t remember if lesbian but I’m sure there was

JBJ: That’s pretty cool.

DG: It was a validating feeling

Disney has embraced pride

JBJ: Oh cool.

DG: Not specifically anything, but they love their rainbow shit. And it’s definitely not just for the sake of having a rainbow.

JBJ: Are there things that you would like to see more of in fiction?

DG: Absolutely. When we see another ace or nb or whatever character, it’s nice to feel acknowledged. I’m sure it’s not that different than passing a Bechdel test

Simple but gives more weight to the piece I suppose.

JBJ: Do you ever see something done in a way that is offensive? Or that you would have done differently?

DG: A lot of works don’t outright say these things. It might be a little forced sometimes and I get it, but sometimes it’s good to use the platform of whichever media to educate. Bojack Horseman does that, Steven Universe, despite being a “kid’s show,” just treated everything like it was all perfectly normal in such a healthy way. I don’t really see much else about it often, and when I do it is sometimes insulting or derogatory. I think internet culture is normalizing things more. It’s being discussed more. BLM has been helping queer communities as well both being marginalized by bringing difficult topics up, and I’m sure that is getting reflected in new media.

People need to learn somehow, so giving peeps the courage to include more Black characters or queer or Native American or whatever is important rn.

JBJ: Absolutely.

What are your favorite trans or non-binary characters you’ve seen in a book or show?

DG: I think stuff that’s coming out (lol) soon will show a lot more than what’s been out.

Omg, like everybody from steven universe

Have you seen it?

JBJ: I have not. But I’ve had three people now recommend it! So I guess I have to now.

DG: I like Futurama for rewatching stuff, but Steven Universe is my favorite show overall.

The writing is just ugh, so good.

It’s so freaking apparent that they have queer people in creative.

JBJ: Yeah, that’s important. Queer people writing about queer people.


JBJ: Hey there, I was wondering if I could pick your brain on an LGBTQ related issue. If not, it’s all good.

RM: Sure! I am happy to answer any questions as more Danica Roem or Wendy Carlos than the average bloke!

JBJ: I don’t know if this is too personal, but I know you’ve mentioned in the past that you’d prefer to identify as a woman. So, would you see yourself as trans, or at least not cisgender? I’m asking because I’m thinking about writing something on this topic.

RM: My opinion, as you can clearly see as identify with Roan and Carlos is I am a woman so trapped but my opinion is more along the lines of my friend [name removed for anonymity], in so far I like being per se fertile even if I’ll never reproduce. When, as I closely approach the average age of menopause, I will consider this less of an issue. And, with a different significant other who accepts and appreciates my male bits, I would be less inclined to physically align. The pressure isn’t as great on me as other women who were once cismen. But I clearly identify as cisman but also non-binary in the gender sense which is my preferred grey area. Non-binary is an interesting notion as it’s usually used by ciswomen to indicate some tomboyish tendencies. I’m using it the reverse sense as a bit effeminate and sissy in the pejorative sense. I’m not ashamed that I have feminine tendencies, that I prefer consensus and cooperation over aggression and superlatives. So I’m happy with who I am and accept things as they are. I’m, at core, a pragmatist. So, I’m a cisman but non-binary. Is that clear?

JBJ: Yes! And thanks for sharing that for me!

In light of the whole J.K. Rowling situation, I was interested in getting the opinions on non-binary people about non-binary representation in literature.

Like, I was curious, how did you feel about her comments?

RM: JK has opinions that would be the norm 50 years ago when Walter Carlos became Wendy (Wendy composes the haunting music to A Clockwork Orange, if you didn’t know). I look at her comments as foolish, uninformed, and lacking empathy. But I think it no more diminishes how I enjoy Harry Potter than to enjoy Hemingway despite his view, suicide, and thirst for Iberian war. I don’t believe in shutting down or boycotting Rowling. I don’t think ostracizing helps, it only shrinks a social circle into diehards that agree and re-enforce her. I don’t mind she doesn’t recognize transgender and non-binary because I’m not going to her for advice on those topics. When I want to talk about Non-Binary, I listen to folks like Rebecca Sugar, who created Steven Universe, and who identified as Non-Binary yet has a wonderful Cismale husband. I know that’s nuanced but does it make sense?

JBJ: Yes. How do you feel about the current representation of trans/non-binary people in fiction?

RM: I have written about it before, but I feel I’m wiser now with more trans colleagues and even a very close friend who is a trans man. But, I haven’t been reading a lot of fiction involving transgender folks recently.

JBJ: In terms of non-binary characters, do you ever see something done in a way that offends you?

RM: Non-binary comes up very rarely in literature. It’s also a very recent concept. In the 1990s, probably even the ‘aughts, people would look at you funny if you said that.

JBJ: Should binary people write non-binary characters?

RM: Yes! Can women write gay men? Yes! Can men write gay women? He can as long as he does it with research. One of my best friends is also a gay male so I can observe and get his perspective. This is just an expansion of many other isa arguments, not African American can write an African American character? Yes, with research and talking with African American friends. American Indian, same thing. Men can write women, women can write men. It’s all relative to the time and research you put into it. If you don’t take the time to learn about some other way of life, you’re going to bugger it!

JBJ: Thanks.


Disclosure Documentary on Netflix

In this documentary, leading trans creatives and thinkers share perspectives and analyses about Hollywood’s impact on the trans community.

Paris is Burning Film on YouTube

Paris Is Burning is a 1990 American documentary film directed by Jennie Livingston. Filmed in the mid-to-late 1980s, it chronicles the ball culture of New York City and the African-American, Hispanic, gay, and transgender communities involved in it. Critics consider the film to be an invaluable documentary of the end of the “Golden Age” of New York City drag balls, and a thoughtful exploration of race, class, gender, and sexuality in America.

Victims or Villains: Examining Ten Years of Transgender Images on Television 

Pre-WWII Accounts of LGBT+ Individuals: Books and Documents

Reddit thread on this topic

Interview With Successful Self-Published Author – Martin Wilsey

(Shadows of the Sentinel. Just published today. Check it out on Amazon!)

Martin Wilsey is living the dream. He is a self-published author who was able to sell enough of his books to quit his day job and focus exclusively on writing. But I will warn people that this path isn’t easy. Not everyone who throws a kindle book on Amazon can make a living off of it. Most won’t. The average self-published book sells under 250 copies and 25% of all authors surveyed earned $0 in book-related income. (Medium)

So how to make it work? I decided to find that out by interviewing Martin Wilsey himself.

JBJ: How did you get into writing science fiction? 

MW: It is an odd path. I always loved reading SciFi and Fantasy. I read about a hundred books a year and always wanted to write one myself. Over the decades, starting in the early 80s, I tried several times. I was not trained in writing. I took a couple of creative writing courses from teachers that hated SciFi. I always sucked at spelling and grammar, so in the early days, I was discouraged at every turn. I sucked at spelling, but was I was great at computers.

I started blogging in 1994. That got me writing every day. I was enjoying it. And as computers got smarter, tools for spelling and grammar got better. I got better. I still didn’t know what I was doing yet. I’d start one thing and get distracted by another idea and never finished anything. I was in a classic cycle of writer self-sabotage.

They out of the blue, my brother suddenly died at age 52.

There were six siblings in my family, and my brother Eric was 4 of 6. I was 5 of 6. It was a complete kick in the gut. He was the first of us. It really made me assess my entire life. It made me realize that I could go at any time. It made me look at what I wanted to get done before I shed my mortal coil.

The same month Eric died, I managed to get a severe spine injury. It left me unable to do much of anything. I went through Prime and Netflix faster than I thought possible, and to stay sane, I started writing every day.

I was lucky that I had gotten to know a couple of authors that gave me excellent advice. Next thing I knew, I had a novel. STILL FALLING. To my great surprise, it hit number 1 in the Hard Science Fiction category.

I never stopped writing. I have published projects about every six months since then.

JBJ: Why did you choose to self-publish instead of going the traditional route?

MW: My decision to go the self-publishing route was easy.  I submitted my novel to several agents, and their suggestions for changes were horrible. Deals offered were worse. I wanted to retain full rights to my stories. Createspace was already running, and it looked like a far better option for me. 70% royalty sounded way better than the 13% offered by traditional routes. I also had the power of not caring about the money. I had a great career and an even better salary as a research scientist. So on March 31, 2015, I self-published STILL FALLING.

Less than three years later, I was able to quit my day job and write full time. I got to retire eight years ahead of schedule at 57 years old.

JBJ: What is the most difficult thing about self-publishing?

MW: As an Indie-Author, it’s all on you. There are hundreds of things to learn that have nothing to do with writing. It’s a lot of work. All the jobs are your job. I think the hardest job, the farthest from writing, is Marketing. The Marketing aspect still evades me. It turns out the best marketing is to keep writing.

JBJ: What is the best thing about self-publishing? 

MW: You are the Boss. Everyone works for you. You get to decide EVERYTHING. This is awesome if you are a control freak like me.

There are lots of people that work for me now: Accounts, Lawyers, Editors, Illustrators, Cover Designers, Web Designers, PR People, Audio Producers, Narrators, Interns, Translators, Beta Readers, and more.

Managing it all is a lot of work, but I love it. I get to keep my Intellectual Property, and I receive the maximum percentage of the royalties.

JBJ: What is your advice for other authors who want to self-publish? 

MW: Finish things. Don’t work on more than one thing at a time. Finish all the way before moving to the next project. Otherwise, you will never finish anything. It’s the most common sort of self-sabotage.

Pay for an Editor. It’s an investment, not an expense. The best story in the world will not sell and get bad reviews if the editing is not up to par.

Pay for a great cover. People DO judge books by their cover. A cover must be professional, genre-appropriate, and easy to read as a thumbnail in Amazon.

JBJ: What books have been the most inspirational to you in your work? 

MW: I have been profoundly inspired by Robert Heinlein, Arthur C. Clark, Simon Hawke, JRR Tolkien, and other classic SciFi.

The books I like the most about the craft are ON WRITING by Stephen King and SAVE THE CAT! WRITES A NOVEL by Jessica Brody.

JBJ: Would you like to share anything about your most recently published work, Shadows of the Sentinel? 

MW: SHADOWS OF THE SENTINEL is a stand-alone novel that takes place in the Solstice 31 universe. It’s a companion book to VIRTUES OF THE VICIOUS. The novel is available now in Kindle, Paperback, Hardcover, and on October 1, the Audio edition is scheduled for release. For more information, check out the links below. 

JBJ: By the way, how is your cat? 

MW: Great! Excellent!


However did it come to this? Cobb wanted a simple life. He wanted excellent steaks, great coffee, friends, and a quiet place to restore his favorite ship. Working for a recovery operation turned out to be the best place to find parts cheap. She had other plans for him. He wanted the staff of the deep space salvage ship, OXCART, to treat him just like another member of the crew. Not the man he really was.  Light-years from Earth, he thought his secrets, his past, wouldn’t matter. Especially not to her. When that past leads them to the SENTINEL, like it or not, the biggest single salvage of all time will change everything. Some secrets are so big, they can start a war. Or stop one. Or remain too big to explain when the timing could not be worse. And it was all the damn cat’s fault.

Buy it off Amazon.


Amazon Books


Martin Wilsey Official Website





Free Short Story on Audio

In Search of Tomorrow – The Definitive 80’s Sci-Fi Documentary (Official Trailer)

In Search of Tomorrow, from director David Weiner, is a four-hour-plus retrospective of ‘80s Sci-Fi movies featuring interviews with actors, directors, writers, SFX experts, and composers.

The film takes the viewer on a year-by-year deep dive into the most iconic and eccentric science fiction films of the 1980s, such as Star Wars, Star Trek, Blade Runner, E.T. the Extra-Terrestrial, Back to the Future, Dune, RoboCop, Aliens, Tron, WarGames, The Terminator, Ghostbusters, 1984, Brazil, Predator, Akira, The Road Warrior, The Thing, The Abyss, Short Circuit, Highlander and several more. The film also examines the science and technology behind the fiction amid insider tales of the creative process.

The movie is supposed to come out in 2021.

The video above seems too long for a movie trailer in my opinion (a whopping 3.45 minutes!) It doesn’t say much about the making of the documentary and who is involved, but it did show a lot of killer sci-fi moments from 80s cinema, so that was cool.

Looking forward to watching the documentary when it comes out.


In Search of Tomorrow – Kick Starter

IN SEARCH OF TOMORROW Documentary Explores ’80s Sci-Fi (Nerdist)

In Search of Tomorrow Wikipedia Page

Avatar Franchise Creators Walk Away from Live Action Netflix Show

If there’s one thing you should know about fans of the Avatar series, it’s that they really, really, really love Avatar. And why wouldn’t they? The show was amazing. Even the sequel show—The Legend of Korra—was really well done. Both the original and Legend of Korra had great writing, great characters, great dialogue, and fantastic world-building that was a unique mix of Chinese, Tibetan and Inuit culture.

Avatar fans were thrilled when they heard that the original Avatar franchise creators (Michael Dante DiMartino and Bryan Konietzko) were involved in making a live-action show on Netflix.

However, Avatar’s original creators now say that there were too many creative differences with Netflix. And unfortunately, DiMartino and Konietzko have walked away from the project.

“When Netflix brought me on board to run this series alongside Mike two years ago,” Konietzko wrote in his Instagram post, “they made a very public promise to support our vision. Unfortunately, there was no follow-through on that promise. … [T]he general handling of the project created what I felt was a negative and unsupportive environment (Vox).”

“I realized I couldn’t control the creative direction of the series, but I could control how I responded,” DiMartino added on his own website. “So, I chose to leave the project (Vox).”

Netflix responded in an emailed statement, noting that the production would continue with Nickelodeon still attached. “We have complete respect and admiration for Michael and Bryan and the story that they created in the Avatar animated series. Although they have chosen to depart the live-action project, we are confident in the creative team and their adaptation (Vox).”

So…Netflix is committed to making the live-action Avatar WITHOUT the show’s original creators?

I’m not sure how that’ll go. I guess we shall see.


Netflix soured the live-action remake of Avatar: The Last Airbender, its showrunners say (Vox)

‘The Last Airbender’ Creators Exit Netflix’s Live-Action Adaptation (Indie Wire)

‘Avatar: The Last Airbender’ Creators Exit Netflix Live-Action Adaptation (Variety)

Fan Opinions on New Star Trek (Reddit Edition)

As a fan of the older Star Trek shows, I was curious to hear what fans thought about the newest stuff. I’m talking about Discovery (2017), Picard (2020), and Lower Decks (2020). So I went to r/scifi to investigate.

See the Reddit thread here!

I’m not saying Reddit is representative of what all people everywhere think. People on the internet tend to be more critical than people in person (as I know being a fan in random communities). But Reddit offers a good way to get the opinions of a sample size of random fans of a particular subject, especially when I’m stuck in quarantine and can’t exactly go interview a hundred random people in person and hope that they watch Star Trek. With Reddit’s system of upvoting, you get to see which comments resonated with people more than others. So I find it a more valuable medium for opinion gathering than Facebook (where I’m limited to people who are my friends) and Twitter (for the same reason).

So let’s get down to it! What did the hundred+ random Star Trek fans I interviewed on Reddit think about the new Star Trek? 

The top-voted comments on the Reddit thread disliked both Picard and Discovery overall. And the most downvoted comments were the ones that voiced approval.

I decided to take a tally of the comments and break it down into like, dislike and neutral (for people who had mixed reviews). This is my count as of now (8/11/20 11:03am), it doesn’t account for new comments added after this. I also only counted the parent comments. This does not follow the nested comments of those parent comments (because those are discussions that involve the OG commenter elaborating on their point).



A general theme I noted is that people in r/scifi felt that the new Star Treks lacked continuity with the older Star Treks. They felt that the science in Discovery was not as robust as it was in previous generations (with the questionable Spore Drive). Some people said Discovery and Picard would have been good if they were a completely separate scifi series that wasn’t connected to the Star Trek universe (because of the consistency issues and departure from canon). Other people had issues with the writing and felt that these series focused on explosions and action while missing out on the deeper philosophical questions that originally made Star Trek great (so basically becoming Transformers?). A lot of people felt that the mood of Discovery didn’t match the optimism of Star Trek in general, that it was cynical and filled with betrayal.

There weren’t many comments on the animated series Lower Decks (2020), mainly because people either hadn’t watched it or were focused on discussing Discovery and Picard.

Here are some of the top comments on the thread: 

“They are very disappointing as a long term mega-fan since childhood. Seems the essence and spirit of the trek series is basically gone…I’ve lost complete interest in the franchise.”

“The problem with Picard, and all of nuTrek, is that it doesn’t seem to feel like it has to respect any of the rules that the existing canon created, and then on top of that it doesn’t even seem interesting in respecting the new rules they have created even within a season. That is just top to bottom bad writing.”

“They completely lack what made ST unique. Picard might as well be a gritty FX drama and Discovery some generic sci-fi show with Marvel elements thrown in. There’s no imagination, no wonder, no optimism for the future. Teamwork, bonding, shared experiences and friendships are almost non-existent. We’re left with betrayal, backstabbing, and general mean-spiritedness. The futuristic setting has been abandoned. The characters all wear what looks like 20th century clothing and have 20th century problems and use 20th century slang. Everyone’s bitter, depressed, addicted, cynical. I find it hard to watch just based on this.”

How about the people who liked it…or at least liked some of it?

“Just to be a contrarian against the one other post, I loved Picard and am very lukewarm on Discovery. Picard certainly deviated from canon and had a few story beats I didn’t agree with (I really dislike bitter, cynical starfleet), but the core of Picard’s optimism, his ability to inspire and get people to follow him loyally, and his core belief in the goodness of people is there. I enjoyed it a lot. Plus the fully HD re-render of the Galaxy-class was worth the price of admission. Discovery does not feel like Star Trek at all to me. It’s not optimistic. It’s bitter and combative, full of betrayal, horrible outcomes, fighting, insults. It’s also heavily serialized which makes one-off episode watching feel pretty pointless. That’s also true of Picard, to be fair.”

“They were enjoyable. Could have used more Star Trek flavor, but still good enough to watch.”

“I like them. I was actually growing tired of episodic format and prefer short seasons with one big story arc. Some of the best Trek episodes are two/three part episodes, so I’d rather see more of this. Sure, Discovery and Picard have flaws, but the production is so different, writers are squeezing so many easter eggs into every episode, I honestly don’t care if they make another movie based on Jar Jar Abrams universe, Simon Pegg can’t fuck right off.”

So some people liked it and some people didn’t. But a majority of the comments seemed to dislike the newer Star Treks, while those who did like them were downvoted into the basement.

On Rotten Tomatoes for Picard, critics gave it an 87% while the audience gave it a 57%.  If you add the Picard likes to the Picard neutral comments of the scifi reddit thread, you get a similar percentage, that 51% of the people who commented didn’t hate it.

On Rotten Tomatoes for Discovery, critics gave it an 81% while the audience gave it a 42%. If you add the Discovery likes to the Discovery neutral comments on the scifi reddit, you get a similar percentage, that 48% of the people who commented didn’t hate it.

On Rotten Tomatoes for Lower Decks, critics gave it a 63% while the audience gave it a 31%.

Now what’s interesting, is if you look up Orville (Seth MacFarlane’s parody of Star Trek) on Rotten Tomatoes, you’ll see that critics gave it a 65% while the audience gave it a whopping 94%!

One reddit comment stated: “The spirit of Star Trek is alive and well in The Orville.”

What’s interesting to me is that critic scores are completely different from audience scores. Are they right? Are they wrong? Art is subjective. So that’s not for me to decide. I simply set out to find out what a sample size of people on r/scifi thought about the newer Star Trek, and it seemed that their opinions were fairly consistent with the audience’s views on Rotten Tomatoes.

But of course, if you want to find out what you really think about the newer Star Trek, watch it yourself on CBS All Access.

Tron 3 is Finally In The Works!

After ten years, Disney is finally moving forward with a new Tron movie after being in a state of cryogenic production freeze. Tron 3 will be starring Jared Leto.

Jared Leto has said the following. “I’m struck with such gratitude for the opportunity to bring this movie to life, especially as both the original video game and the film affected me so deeply as a young child. The fact that I get to be a part of this new chapter is mind-blowing.” (Games Radar)

“I am so very excited and proud to confirm that YES – I will be starring in TRON. We will work as hard as we possibly can to create something that I hope you all will love.  We have some very special ideas in store for you all…” (Games Radar)

Tron 3 will be directed by Garth Davis, whose experience up until this point has been indie dramas. This came as a surprise to many who expected Joseph Kosinski to return as the director. But who knows, maybe Garth Davis will pleasantly surprise us.

“Kosinski helmed Legacy and had long been attached to the third Tron movie. The project sputtered around Disney in the years following Legacy‘s release, with Kosinski saying in 2017 the movie was in a “cryogenic freeze” and thus, signaling to fans a threequel may not have been so sure a thing.” (Collider)

“While Kosinski is not set to return, we can’t say the same for Hedlund, Wilde, or Bridges. There are no plot details on the third Tron movie to spare and so, in combination with Legacy‘s ending, the door is very much open when it comes to any of these actors possibly returning. Then again, whether or not any of them is actively interested in returning in another matter entirely.” (Collider)

It’s worth noting that Disney has been going back and forth, saying they won’t make the movie, that they will, that they’ll make a show on Disney+, that they won’t. So who knows what could happen.

What’s interesting though is that when the original Tron came out in 1982, it was a box-office flop. But in the years following, it became a cult classic.

As to the release date for Tron 3, no date has been given yet.

‘Tron 3’ Moving Forward With Jared Leto to Star, Garth Davis to Direct (Collider)

Tron 3 has been announced and Jared Leto may have just leaked the title (Games Radar)

Tron 3 Back in the Works with Director Garth Davis (Den of Geek)